View All Items

Title: OnYGo.
Creator: Blattner, Géraldine, Dalola, Amanda, Roulon, Stéphanie
Abstract/Description: #OnYGo is an innovative first-year French language e-textbook, designed as Open Educational Resource (OER), for learning beginning French (equivalent to one year at an American university). It is inspired by a remix of task-based, multiliteracies and communicative approaches, which provides students with opportunities to engage with French language and culture in a variety of contexts and situations, across a range of modalities. Through a wide range of activities, students develop and...
Show more#OnYGo is an innovative first-year French language e-textbook, designed as Open Educational Resource (OER), for learning beginning French (equivalent to one year at an American university). It is inspired by a remix of task-based, multiliteracies and communicative approaches, which provides students with opportunities to engage with French language and culture in a variety of contexts and situations, across a range of modalities. Through a wide range of activities, students develop and practice their language skills, and reflect on their cross-cultural knowledge and positionality in their understanding of the vast francophone landscape.
Show less
Date Issued: 2023
PURL: http://purl.flvc.org/fau/fd/fauir000515
Format: Document (PDF)

Title: Atrave(s) and fronte(i)ras: la traducciâon del Portuguâes al Espaînol de la novella Brasilîena Adeus, Rio Doce.
Creator: Bandeira de Mello, Clarisse., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: The translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave...
Show moreThe translation of Geny Vilas-Novas' novel Adeus, Rio Doce emphasizes the importance of promoting a literary exchange between Brazil and the Spanish-speaking world. This study analyses contemporary Brazilian literature and situates the author in the post-modern literary movement, stressing two post-colonial fundamental themes: emigration and feminine literature. Millions of undocumented emigrants from Latin America live nowadays in the United States displaced in the American society and leave suffering family members abandoned in their native countries. One of the roles of Latin- American women writers like Vilas-Novas is to reveal and denounce the subaltern conditions of this emigration movement in the globalization process, under the unusual perspective of those left behind. The linguistic and semantic challenges and difficulties faced during translation are a metaphor for the crossing of linguistic, cultural, social, and historical borders by Latin-Americans in search of better life opportunities.
Show less
Date Issued: 2008
PURL: http://purl.flvc.org/fcla/dt/186336
Subject Headings: Brazilian fiction, Translations into English, Brazilian literature, Criticism and interpretation, Postmodernism (Literature), Feminism and literature, Criticism and interpretation
Format: Document (PDF)

Title: La (in)visibilidad de la traductora: la traducciâon del inglâes al espaänol del cuento "Spanish Winter" de Jennifer Egan.
Creator: Almeida, Gabriela., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This thesis emphasizes the visibility of the translator as an agent who promotes cultural exchange. This project includes a translation of Jennifer Egan's short story "Spanish Winter" from her collection Emerald City and Other Stories (1996). It also presents the theoretical frame, the critical analysis, and the pitfalls of the translation. "Spanish Winter" is narrated in the first person by the protagonist, a troubled US American, divorced woman who travels by herself to Spain in the winter....
Show moreThis thesis emphasizes the visibility of the translator as an agent who promotes cultural exchange. This project includes a translation of Jennifer Egan's short story "Spanish Winter" from her collection Emerald City and Other Stories (1996). It also presents the theoretical frame, the critical analysis, and the pitfalls of the translation. "Spanish Winter" is narrated in the first person by the protagonist, a troubled US American, divorced woman who travels by herself to Spain in the winter. The importance of this text lies in the quest for identity of a female character whose journey symbolizes a search for herself. This postmodern tale, which depicts cultural exchanges between Spaniards and a US American woman and presents a contemporary theme told by a female narrator traveling abroad, is extremely relevant in today's globalized world. It is a valuable text whose translation promotes a fruitful literary exchange between the United States and the Spanish-speaking countries.
Show less
Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3342033
Subject Headings: Criticism and interpretation, Criticism and interpretation, Identity (Psychology) in literature, Americans, Translating and interpreting
Format: Document (PDF)

Title: Traduzione di una metafora: un ponte a Mostar come il processo di traduzione tra lingue e culture in Erri De Luca.
Creator: O'Neill, Jonathan., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This thesis shall produce the translation of six essays from Italian author Erri De Luca's collection PIanoterra (1995). De Luca's work often defies traditional attempts at translation due to its philosophical and polysemantic nature ; more than mere essays or accounts of, for instance, his involvement with humanitarian missions in Bosnia, his work consists of reflections on life and language itself. De Luca, himself a prolific translator from Ancient Hebrew, Russian and Yiddish, oftentimes...
Show moreThis thesis shall produce the translation of six essays from Italian author Erri De Luca's collection PIanoterra (1995). De Luca's work often defies traditional attempts at translation due to its philosophical and polysemantic nature ; more than mere essays or accounts of, for instance, his involvement with humanitarian missions in Bosnia, his work consists of reflections on life and language itself. De Luca, himself a prolific translator from Ancient Hebrew, Russian and Yiddish, oftentimes emphasizes the origins of specific words, making carefully studied choices in his own writing. Therefore, in addition to the six carefully produced translations with special attention paid to De Luca's word choices and an awareness of the etymological weight each one carries, this thesis shall also provide a theoretical framework emphasizing a sense-based translation which will allow the freedom necessary to explore De Luca's polysemy as well as commentary highlighting the challenges encountered in translating his work.
Show less
Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3358751
Subject Headings: Criticism and interpretation, Conduct of life, Narration (Rhetoric), Persuasion (Rhetoric)
Format: Document (PDF)

Title: La identidad fronteriza a travâes de las experiencias generacionales en Sirena Selena vestida de pena.
Creator: Magdaleno, Ariana Heydi., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: Afro-Puerto Rican Mayra Santos-Febres's novel Sirena Selena vestida de pena (2000) demonstrates the intrinsic social relationship that exists between generations in Puerto Rico and Dominican Republic. The historical similarity between these regions permits a comparison in life stories of marginalized peoples. Puerto Rican godmothers and transvestites Martha Divine and Valentina Frenesâi prepare goddaughter, quinceänera and bolerista Sirena Selena in her performance in order to launch a career...
Show moreAfro-Puerto Rican Mayra Santos-Febres's novel Sirena Selena vestida de pena (2000) demonstrates the intrinsic social relationship that exists between generations in Puerto Rico and Dominican Republic. The historical similarity between these regions permits a comparison in life stories of marginalized peoples. Puerto Rican godmothers and transvestites Martha Divine and Valentina Frenesâi prepare goddaughter, quinceänera and bolerista Sirena Selena in her performance in order to launch a career and conquer the strategies of survival. Meanwhile, Dominican millionaire Hugo Graubel manages his life publicly as a heterosexual husband and privately as a gay man and strongly attempts to capture enigmatic Sirena Selena. Whereas the Dominican, pre-adolescent, poor, and mulatto Leocadio discovers the veiled world of tourism that offers alternate possibilities of economic survival. The previous generations' transgression of society's binary definitions created alternate spaces that continue to pave the way for future generations that will refuse and resist conforming to static patriarchal and heterosexual mainstream classifications.
Show less
Date Issued: 2009
PURL: http://purl.flvc.org/FAU/369190
Subject Headings: Criticism and interpretation, Identity in literature, Sex role in literature, Literature and society, Homosexuality and literature
Format: Document (PDF)

Title: Le mariage et la maternitâe chez Marie de France.
Creator: Firmino Palazzolo, Danielle., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: Twelfth century French feudal culture witnesses the codification of new marriage laws and a rapid rise in popularity of the Cult of the Virgin Mary, with correspondingly renewed attention being paid to women by ecclesiastical intellectuals of all sects. Of particular interest to these churchmen was the duty of the medieval wife to bear children. The Lais of Marie de France, a late twelfth-century text, often focus explicitly on motherhood (both biological and symbolic) and therefore allow a...
Show moreTwelfth century French feudal culture witnesses the codification of new marriage laws and a rapid rise in popularity of the Cult of the Virgin Mary, with correspondingly renewed attention being paid to women by ecclesiastical intellectuals of all sects. Of particular interest to these churchmen was the duty of the medieval wife to bear children. The Lais of Marie de France, a late twelfth-century text, often focus explicitly on motherhood (both biological and symbolic) and therefore allow a deeper examination of the new cultural representations of women in the dual role of spouse and mother. The Lais further highlight the symbolic role of the child as guarantor both of a woman's social value and of the validity of the love relationship based on the tenets of fin'amors instead of formal marriage.
Show less
Date Issued: 2009
PURL: http://purl.flvc.org/FAU/2182086
Subject Headings: Cult, History, History and criticism, Women, Women in Christianity, Social conditions, History
Format: Document (PDF)

Title: El final del tango Perâonista: la desintegraciâon del cuerpo social en No Habrâa Mâas Penas ni Olvido.
Creator: Fuentes, Delia Pamela., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist...
Show moreThis thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist Party. These two factions divide the villagers, who hold diverse images of Perâon and what the party entails, while putting their political beliefs and physical well-being at stake. Quickly the two splinter parties trigger an open arm conflict while fighting under the same slogan: "Perâon o muerte". Supported by diverse theoretical perspectives, this thesis reveals that Soriano's novel sheds light into one of the most confusing periods of Argentinean history while rescuing the sacrifices of the people.
Show less
Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3175015
Subject Headings: Criticism and interpretation, Spanish American literature, Criticism and interpretation, History, Literature and the war, Politics and government, Social life and customs
Format: Document (PDF)

Title: La fuerza de la tradiciâon: representaciones del estudiante en la novela picaresque.
Creator: Fernandez del Paramo, Javier., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: The genre of the "picaresque" (romances of roguery), which were popular in sixteenth-century Spain, contain the literary type of the "picaro" or rogue, which can appear at times as a "student." The current work presents the historical context of the Spanish university and of the student's life as well as the representation of the "student" in several picaresque novels, namely, Mateo Aleman's El Guzman de Alfarache, Vicente Espinel's Marcos de Obregâon, Jerâonimo de Alcalâa y Yâanez's El...
Show moreThe genre of the "picaresque" (romances of roguery), which were popular in sixteenth-century Spain, contain the literary type of the "picaro" or rogue, which can appear at times as a "student." The current work presents the historical context of the Spanish university and of the student's life as well as the representation of the "student" in several picaresque novels, namely, Mateo Aleman's El Guzman de Alfarache, Vicente Espinel's Marcos de Obregâon, Jerâonimo de Alcalâa y Yâanez's El donoso hablador, and Francisco de Quevedo's El Buscâon, in order to contrast the social reality of the student and its literary representation. The literary character of the "student" does not depart only from its reality. Its characteristics are based on the student stories from the oral medieval tradition, a residual cultural elements, as described by Maxime Chevalier, as well as the emerging picaresque narratives.
Show less
Date Issued: 2008
PURL: http://purl.flvc.org/fcla/dt/172672
Subject Headings: Picaresque literature, Spanish, History and criticism, Spanish fiction, Criticism and interpretation, Point of view (Literature), Characters and characteristics in literature
Format: Document (PDF)

Title: Los câirculos de Borges: el inglâes, la intertextualidad y la traducciâon.
Creator: Carlino, Susana Beatriz., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This thesis analyzes the interaction of three primordial circular concepts in the formation of the literary identity of Jorge Luis Borges: the English language, intertextuality, and translation. The allegory of concentric circles facilitates the explanation of the complexity of these processes that intertwine and interact expanding to the infinite. This is not only a metaphor but also a metaphysical dilemma which Borges has utilized to explain time not as an absolute progression where a...
Show moreThis thesis analyzes the interaction of three primordial circular concepts in the formation of the literary identity of Jorge Luis Borges: the English language, intertextuality, and translation. The allegory of concentric circles facilitates the explanation of the complexity of these processes that intertwine and interact expanding to the infinite. This is not only a metaphor but also a metaphysical dilemma which Borges has utilized to explain time not as an absolute progression where a before and after are feasible but rather as a cyclical idea in which the return and the repetition are eternal. The three key concepts will be analyzed, using as an example, a short story by one of the English writers who Borges has cited and translated, Gilbert Keith Chesterton, "The Three Horsemen of Apocalypse." Borges translated Chestertons tale prior to writing "The Garden of Forking Paths," and this thesis demonstrates how we may discern Chesterton's influence on the Argentine's fiction, particularly within the genre of the detective story.
Show less
Date Issued: 2012
PURL: http://purl.flvc.org/FAU/3342039
Subject Headings: Criticism and interpretation, Criticism and interpretation
Format: Document (PDF)

Title: RE-IMAGINANDO UTOPÍAS: LA DESILUSIÓN PORTEÑA DE BORGES.
Creator: Baccinelli, Mitchel, Poulson, Nancy Kason, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Borges’s literary production, particularly between 1923 and 1955, drastically changes in its depiction of Buenos Aires. The city that Borges considered his home was the center of various political and cultural changes in Argentina during those years, and the more that Argentina changed, the deeper Borges’s disillusionment became. Examining these changes in the depiction of themes such as city, community, and history, we can better understand the process of disillusionment by which Borges...
Show moreBorges’s literary production, particularly between 1923 and 1955, drastically changes in its depiction of Buenos Aires. The city that Borges considered his home was the center of various political and cultural changes in Argentina during those years, and the more that Argentina changed, the deeper Borges’s disillusionment became. Examining these changes in the depiction of themes such as city, community, and history, we can better understand the process of disillusionment by which Borges begins with a utopic view of Buenos Aires that becomes dystopic before it is abandoned in order to imagine a new utopia.
Show less
Date Issued: 2021
PURL: http://purl.flvc.org/fau/fd/FA00013749
Subject Headings: Borges, Jorge Luis, 1899-1986, Borges, Jorge Luis, 1899-1986--Criticism and interpretation
Format: Document (PDF)

Title: Sinfonâia en rojo: el prisma de Elisabeth Mulder.
Creator: Del Olmo Lâopez, Itxaso., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic...
Show moreThis thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic richness and its romantic and modernist features. Part of this research deals with the symbolism of the color red and the meanings that red acquires within the context of the poems. The main leitmotivs of Sinfonâia en rojo are the images of fire and blood, which are used to make reference to both the emotional and the physical world of the poetic voice. The research also focuses on the connections between Mulder's work and that of her contemporaries, and it suggests that she was in contact with the literary world of her era.
Show less
Date Issued: 2013
PURL: http://purl.flvc.org/fcla/dt/3362329
Subject Headings: Influence, Criticism and interpretation, Spanish poetry, Women authors, Criticism and interpretation, Spanish poetry, Criticism and interpretation, Women and literature, Generacâion 27 (Group of poets)
Format: Document (PDF)

Title: RAMON DEL VALLE-INCLAN'S "LUCES DE BOHEMIA": AN ANNOTATED EDITION WITH INTRODUCTION AND AMPLIFICATIONS. (SPANISH TEXT).
Creator: BAHAMONDE, JOSE RICARDO, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: This edition was prepared as an independent or classroom study tool, in Spanish, for students of contemporary Spanish drama. The introduction includes a brief chapter on Valle-Inclan's biography. the following chapters focus their attention on the evolution of the author's style from his early period up to the esperpentos. the opinions of critics are mentioned throughout to familiarize the reader with authoritative references as well as with his work. Once the esperpento period is reached,...
Show moreThis edition was prepared as an independent or classroom study tool, in Spanish, for students of contemporary Spanish drama. The introduction includes a brief chapter on Valle-Inclan's biography. the following chapters focus their attention on the evolution of the author's style from his early period up to the esperpentos. the opinions of critics are mentioned throughout to familiarize the reader with authoritative references as well as with his work. Once the esperpento period is reached, one chapter is devoted to the treatment of the represented in Luces de bohemia. Finally the play is annotated in English and the difficult vocabulary is glossed. Amplifications at the end of each scene give additional, valuable information. More than fifty sources were consulted and/or quoted. By using this edition the reader deals with only one volume representative of what many references had to say about Valle-Inclan, his times, his works, the esperpento, and Luces the bohemia.
Show less
Date Issued: 1974
PURL: http://purl.flvc.org/fcla/dt/13677
Subject Headings: Literature, Romance
Format: Document (PDF)

Title: Satire of the cuckold in the work of Francisco de Quevedo.
Creator: Averhoff, Ida Ibis, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: The "cuckold" is the prototype of the consenting husband in Quevedo's time. He represents the hypocrisy, the vanity, and, most of all, the moral decadence of Spanish society in the 17th Century. Quevedo expresses his great disillusion with the amoral behavior of his people and, through his satire, attempts to give a lesson on morality. Quevedo was able to transfer onto his work Spanish ideas and realities, giving them a serious character as that of an ascetic or a politician, with the...
Show moreThe "cuckold" is the prototype of the consenting husband in Quevedo's time. He represents the hypocrisy, the vanity, and, most of all, the moral decadence of Spanish society in the 17th Century. Quevedo expresses his great disillusion with the amoral behavior of his people and, through his satire, attempts to give a lesson on morality. Quevedo was able to transfer onto his work Spanish ideas and realities, giving them a serious character as that of an ascetic or a politician, with the pessimistic and sarcastic tone typical of his satire. Two important and influencing factors on his work and his way of looking at life were the family and cultural environment he was exposed to and the effect of his physical defects, which he succeeded in compensating due to his energetic personality. Quevedo used conceptism as his literary style, applying his genius to the creation of metaphors, taking the Spanish language to its maximum expression as no one else had done before him.
Show less
Date Issued: 1992
PURL: http://purl.flvc.org/fcla/dt/14805
Subject Headings: Literature, Romance
Format: Document (PDF)

Title: VERSIFICACION EN LA OBRA POETICA DE JOSE DE ESPRONCEDA: UN EJEMPLO DE LAVARIEDAD ROMANTICA.
Creator: BERMUDEZ, ALBERTO C., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: Esta tesis analiza la obra poetica de Jose de Espronceda desde el punto de vista de su metrica. Espronceda es catalogado el tipico poeta romantico espanol. Lo que se pretende aqui es reiterar, a traves de la metrica, la filiacion del poeta al movimiento. El estudio esta compuesto de los siguientes capitulos: I) El romanticismo espanol y su metrica; II) El autor y su obra; III) Las poesias de Espronceda; IV) Borracores y copias atribuidos a Espronceca; V) Un poema largo; VI) Otro poema largo....
Show moreEsta tesis analiza la obra poetica de Jose de Espronceda desde el punto de vista de su metrica. Espronceda es catalogado el tipico poeta romantico espanol. Lo que se pretende aqui es reiterar, a traves de la metrica, la filiacion del poeta al movimiento. El estudio esta compuesto de los siguientes capitulos: I) El romanticismo espanol y su metrica; II) El autor y su obra; III) Las poesias de Espronceda; IV) Borracores y copias atribuidos a Espronceca; V) Un poema largo; VI) Otro poema largo. Siguiendo el resumen del movimiento romantico en Espana en el primer capitulo, el segundo trae la biografia del poeta. Los capitulos tres, cuatro, cinco y seis estan dedicados a la obra poetica de Espronceda. Termina este estudio la conclusion de que la metrica del poeta comprueba la conexion de este a los preceptos y caracteristicas del movimiento al que pertenece.
Show less
Date Issued: 1974
PURL: http://purl.flvc.org/fcla/dt/13621
Subject Headings: Literature, Romance
Format: Document (PDF)

Title: La aventura del heroe: Una aproximacion critica a "Lituma en los Andes" de Mario Vargas Llosa.
Creator: Barrero, Gabriela Ovando, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: Lituma en los Andes tackles the universal substance of myths, its atavistic stock of culture, prejudice and superstitions, which applied to the complex Peru uncovers taboos and reveals a political statement, whose non-fictional counterpart can be found in La utopia arcaica: Jose Maria Arguedas y las ficciones del indigenismo, by the same author. This thesis uses a mythological and archetypal approach to prove that the narration--whose underlying element are Andean myths--is structured as the...
Show moreLituma en los Andes tackles the universal substance of myths, its atavistic stock of culture, prejudice and superstitions, which applied to the complex Peru uncovers taboos and reveals a political statement, whose non-fictional counterpart can be found in La utopia arcaica: Jose Maria Arguedas y las ficciones del indigenismo, by the same author. This thesis uses a mythological and archetypal approach to prove that the narration--whose underlying element are Andean myths--is structured as the mythological adventure of a hero who must comply with the archetypal rites of passage: separation, initiation, and return. Lituma's trials lead him to a social and spiritual maturity and to discover the mysterious ancestral Peru, disdained by the more westernized Peruvians of the coast. The Andeans' fear of foreigners is represented by the myth of the pishtaco or throat-cutter, counterpart of the classical Minotaur. The encounter of the two scissioned worlds is only possible through love and friendship, in the framework of a pluralistic society, which is suggested by the novel's resolution.
Show less
Date Issued: 1999
PURL: http://purl.flvc.org/fcla/dt/15667
Subject Headings: Literature, Latin American
Format: Document (PDF)

Title: La decheance matriarcale chez Zola: "L'assommoir" et "Germinal".
Creator: Alaoui, Sanaa Ismaili, Florida Atlantic University, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Critical studies of Zola's Rougon-Macquart novels, while explicating in detail the characterological functions of the women characters, including Gervaise in L'Assommoir and la Maheude in Germinal, have neglected the thematic functions of matriarchy in those texts as in the cycle as a whole. The decline of the matriarch is a prominent component of Zola's naturalistic scheme for the Rougon-Macquart , manifests not only in the increasing corruption of the progeny across the cycle, but primarily...
Show moreCritical studies of Zola's Rougon-Macquart novels, while explicating in detail the characterological functions of the women characters, including Gervaise in L'Assommoir and la Maheude in Germinal, have neglected the thematic functions of matriarchy in those texts as in the cycle as a whole. The decline of the matriarch is a prominent component of Zola's naturalistic scheme for the Rougon-Macquart , manifests not only in the increasing corruption of the progeny across the cycle, but primarily in the monographic depictions of the matriarchs themselves. Working-class mothers in particular embody the conflictual tensions of gender inequities and socio-economic deprivations that lead them to produce child-workers to support the family, typically becoming ever more negligent, on the model of Gervaise. Specifically in Germinal, Zola's largely negative conception of the fictive matriarch begins to change. This shift is sustained in subsequent texts of the cycle: the matriarch still suffers almost total loss (of husband, children, position), but she attains a new insight into the socio-economic system that so devours her offspring, and a new lucidity about her position within it.
Show less
Date Issued: 2002
PURL: http://purl.flvc.org/fcla/dt/12970
Subject Headings: Literature, Romance
Format: Document (PDF)

Title: Le naturalisme fantastique chez Maupassant: Stylistique du "Horla".
Creator: Fois Assuied, Veronique C., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: Like most nineteenth-century French realists, Maupassant's interest in positivistic models of the human being, from Darwinian evolution to the new psychologies, led him to scientific readings, detailed documentations of "milieu," and contemporary subjects which he then treated with literary techniques drawn from both the realist Flaubert and the naturalist Zola. It is in extending these techniques to the fantastic, however, that Maupassant achieves an original and highly effective amalgam...
Show moreLike most nineteenth-century French realists, Maupassant's interest in positivistic models of the human being, from Darwinian evolution to the new psychologies, led him to scientific readings, detailed documentations of "milieu," and contemporary subjects which he then treated with literary techniques drawn from both the realist Flaubert and the naturalist Zola. It is in extending these techniques to the fantastic, however, that Maupassant achieves an original and highly effective amalgam best characterized as "Le Naturalisme fantastique."
Show less
Date Issued: 2001
PURL: http://purl.flvc.org/fcla/dt/12743
Subject Headings: Literature, Romance
Format: Document (PDF)

Title: La representacion de la aniquilacion de la creatividad artistica femenina en obras seleccionadas de Elena Poniatowska.
Creator: Adriazola-Rodriguez, Ana, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
Abstract/Description: The annihilation of women's artistic creativity in selected works by the Mexican writer Elena Poniatowska is a result of societal conditioning. Two short stories from Lilus Kikus and the short novel Querido Diego, te abraza Quiela portray the process of deterioration and demeaning obliteration of women's creative faculties, as they are conditioned to accept the conventional roles of wife and mother. Poniatowska's texts posit that, upon assuming these roles, the exercise of the creative artist...
Show moreThe annihilation of women's artistic creativity in selected works by the Mexican writer Elena Poniatowska is a result of societal conditioning. Two short stories from Lilus Kikus and the short novel Querido Diego, te abraza Quiela portray the process of deterioration and demeaning obliteration of women's creative faculties, as they are conditioned to accept the conventional roles of wife and mother. Poniatowska's texts posit that, upon assuming these roles, the exercise of the creative artist's use of her imagination is postponed or detrimentally transformed forever. In the selected texts, women's artistic creativity is chronicled first at its best while the characters are girls or adolescents. The neglect, procrastination, and attention to domestic and repetitive tasks as opposed to the pursuit of their creative vein is observed in the adult women characters. Poignantly portrayed is Quiela, Diego Rivera's common-law wife of ten years, who destroys her life and creative power by trying to be the perfect wife. These literary works speak forcefully to the social issues and institutions that place women artists in a bind; are the roles of artist, mother/wife incompatible?
Show less
Date Issued: 2000
PURL: http://purl.flvc.org/fcla/dt/15786
Subject Headings: Literature, Latin American, Women's Studies
Format: Document (PDF)

Title: Sismología en La Fiesta del Chivo de Mario Vargas Llosa: Heteroglosia en la Narración del Trauma.
Creator: Carreño Cabrejos, Pablo Francisco José, Gosser Esquilin, Mary Ann, Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Rafael Leonidas Trujillo (1891-1961), the ruthless Dominican Republic ruler dominated his island’s politics for over thirty years. In his acclaimed 2000 novel, The Feast of the Goat, Peruvian Nobel laureate Mario Vargas Llosa creates Urania Cabral, a 49-year-old émigrée who at 14 left her nation after becoming Trujillo’s sexual victim. The novel, told from many perspectives, focuses on her return, the dictator’s last day, and the story of the four conspirators waiting to ambush him the night...
Show moreRafael Leonidas Trujillo (1891-1961), the ruthless Dominican Republic ruler dominated his island’s politics for over thirty years. In his acclaimed 2000 novel, The Feast of the Goat, Peruvian Nobel laureate Mario Vargas Llosa creates Urania Cabral, a 49-year-old émigrée who at 14 left her nation after becoming Trujillo’s sexual victim. The novel, told from many perspectives, focuses on her return, the dictator’s last day, and the story of the four conspirators waiting to ambush him the night of May 30th 1961. My study analyzes the complex narrative structures of the novel as masterful “rupturing” techniques. Through these the reader pieces together the broken body politic of a traumatized nation as Urania reconstructs in painful detail how the impotent dictator digitally rapes her to ensure her body bears the mark of his brutal anger and frustration.
Show less
Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00003903
Subject Headings: Vargas Llosa, Mario, 1936---Criticism and interpretation., Vargas Llosa, Mario, 1936---Political and social views.
Format: Document (PDF)

FAU Theses and Dissertations (17)	+ -
Undergraduate Studies Honors in Major at FAU (1)	+ -
Open Textbooks (1)	+ -

Criticism and interpretation (8)	+ -
Literature, Romance (5)	+ -
History (2)	+ -
History and criticism (2)	+ -
Literature, Latin American (2)	+ -

Americans (1)	+ -
Borges, Jorge Luis, 1899-1986 (1)	+ -
Borges, Jorge Luis, 1899-1986--Criticism and interpretation (1)	+ -
Brazilian fiction (1)	+ -
Brazilian literature (1)	+ -
Characters and characteristics in literature (1)	+ -
Conduct of life (1)	+ -
Cult (1)	+ -
Feminism and literature (1)	+ -
Generacâion 27 (Group of poets) (1)	+ -
Homosexuality and literature (1)	+ -
Identity (Psychology) in literature (1)	+ -
Identity in literature (1)	+ -
Influence (1)	+ -
Literature and society (1)	+ -
Literature and the war (1)	+ -
Narration (Rhetoric) (1)	+ -
Persuasion (Rhetoric) (1)	+ -
Picaresque literature, Spanish (1)	+ -
Point of view (Literature) (1)	+ -
Politics and government (1)	+ -
Postmodernism (Literature) (1)	+ -
Sex role in literature (1)	+ -
Social conditions (1)	+ -
Social life and customs (1)	+ -

Spain (2)	+ -
Argentina (1)	+ -
Caribbean Area (1)	+ -
France (1)	+ -
History (1)	+ -

20th century (2)	+ -
1066-1485 (1)	+ -
1955-1983 (1)	+ -
21st century (1)	+ -
Classical period, 1500-1700 (1)	+ -

Search In

Sort Results By:

Narrow results by:

Collection

Topical Subject

Geographic Subject

Temporal Subject

Genre Subject

Title as Subject

Genre

Type of Resource

Language

Creator

Format

Owner

Spanish (14)	+ -
French (3)	+ -
Italian (1)	+ -