View All Items

Title: Neville Chamberlain, Oswald Mosley, and the historiography of appeasement revisited.
Creator: Ortiz, Michael., Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description: This thesis analyzes the historiography of Neville Chamberlain and appeasement through the lens of Oswald Mosley and British Fascism, arguing that an acute and unexpected convergence emerges between the ardent radicalism of Mosley and the utter rationality of Chamberlain, illustrating the uncanny degree to which appeasement as a policy dovetailed with fascism as an ideology. Beginning at the Spanish Civil War and ending in March 1939, politicians in the vein of Chamberlain - subsequently...
Show moreThis thesis analyzes the historiography of Neville Chamberlain and appeasement through the lens of Oswald Mosley and British Fascism, arguing that an acute and unexpected convergence emerges between the ardent radicalism of Mosley and the utter rationality of Chamberlain, illustrating the uncanny degree to which appeasement as a policy dovetailed with fascism as an ideology. Beginning at the Spanish Civil War and ending in March 1939, politicians in the vein of Chamberlain - subsequently dubbed 'appeasers' - pursued appeasement as a means to placate German aggression. The British Union of Fascists, with Mosley at the helm, enthusiastically supported this movement and urged the British Government to intensify the appeasement campaign. Ultimately, the convergence of appeasement and fascism illustrates the severe lack of alternatives available to Chamberlain, and underscores the degree to which his pragmatic politics supported fascism abroad.
Show less
Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2978948
Subject Headings: Views on Germany, World War, 1939-1945, Diplomatic history, Fascism, World politics, Politics and government, Foreign relations, Foreign relations, Foreign relations
Format: Document (PDF)

Title: Interview with Clarence Henry “Hank” McCall, Jr. – ca. 2006.
Creator: McCall, Clarence Henry “Hank” Jr. (Interviewee), Steinhauer, Lise M. (Interviewer)
Date Issued: 2006-02-08
PURL: http://purl.flvc.org/fau/fd/FADT77821
Subject Headings: World War, 1939-1945 -- Campaigns -- Pacific Area, World War, 1939-1945 -- Pacific Ocean, World War, 1939-1945 -- Naval operations, American, World War, 1939-1945 -- Naval operations -- Submarine, Oral histories --Florida, Oral history
Format: Set of related objects

Title: Interview with Assunta Russo.
Creator: Russo, Assunta (Interviewee), Harmer, Alecia (Interviewer), Aletto, Gina (Translator)
Date Issued: 2010-10-02
PURL: http://purl.flvc.org/fau/fd/FADT3358434
Subject Headings: Oral histories --Florida, Oral history
Format: Set of related objects

Title: Antonio Ruiz de Montoya, Apostle of the Guaraní.
Creator: Ganson, Barbara
Abstract/Description: This essay highlights the accomplishments of one of the foremost Jesuit missionaries in seventeenth-century Paraguay, Antonio Ruiz de Montoya. Born in Lima, Montoya distinguished himself as a chronicler of the first encounters between the Jesuits and the Guaraní Indians of South America. He defended Indian rights by speaking out against Indian slavery. Montoya spent approximately twenty-five years among the Guaraní indigenous peoples who influenced his worldview and sense of spirituality,...
Show moreThis essay highlights the accomplishments of one of the foremost Jesuit missionaries in seventeenth-century Paraguay, Antonio Ruiz de Montoya. Born in Lima, Montoya distinguished himself as a chronicler of the first encounters between the Jesuits and the Guaraní Indians of South America. He defended Indian rights by speaking out against Indian slavery. Montoya spent approximately twenty-five years among the Guaraní indigenous peoples who influenced his worldview and sense of spirituality, which are reflected in his 1636 first account of the Jesuit reducciones in Paraguay, Conquista espiritual hecha por los religiosos de la Compañía de Jesús en las provincias del Paraguay, Paraná, Uruguay, y Tapé.
Show less
Date Issued: 2016-03-01
PURL: http://purl.flvc.org/fau/fd/FAUIR000019
Format: Citation

Title: Drawing meaning: recording detail and mapping accumulations.
Creator: Taylor, Jillian., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: With the commitment of a nineteenth century objectivist scientist, I established a rigorous methodology in my studio practice through drawing, cutting and sorting that asserts meticulous attention to and recording of detail. This resulted in an overwhelming accumulation of components - pieces of information that no longer functioned to create the "whole." Interested in how information adds up to meaning, I am preoccupied with sorting out meaning from my accumulations. With each work, I create...
Show moreWith the commitment of a nineteenth century objectivist scientist, I established a rigorous methodology in my studio practice through drawing, cutting and sorting that asserts meticulous attention to and recording of detail. This resulted in an overwhelming accumulation of components - pieces of information that no longer functioned to create the "whole." Interested in how information adds up to meaning, I am preoccupied with sorting out meaning from my accumulations. With each work, I create a map that works less to mark a destination than to structure a journey. No longer "lost" in the details, these accumulated works effect a "whole" where the inflection of my hand in each discreet decision I made adds up to marking my place. This offers the viewer the possibility that asserting one's place is meaning enough.
Show less
Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3174077
Subject Headings: Drawing, Philosophy, Semiotics and art, Object (Aesthetics), Thematic maps
Format: Document (PDF)

Title: Nurtured beauty: cultivating balance between chance, control, extravagance, and restraint.
Creator: Spivey, Kim., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Interested in nurturing beauty, I create paintings that reference life processes through layers of struggle, discovery, recovery and generation. Employing a metaphor of the garden, my paintings can be seen as spaces where I determine what grows, stays, is mulched, or weeded out. I seek a balance between coexisting desires of restraint and control and extravagance with a sense of coming unbound. I emphasize the painting field as a whole, while also paying deep attention to the minute, inviting...
Show moreInterested in nurturing beauty, I create paintings that reference life processes through layers of struggle, discovery, recovery and generation. Employing a metaphor of the garden, my paintings can be seen as spaces where I determine what grows, stays, is mulched, or weeded out. I seek a balance between coexisting desires of restraint and control and extravagance with a sense of coming unbound. I emphasize the painting field as a whole, while also paying deep attention to the minute, inviting the viewer to discover complex worlds at different scales within each environment I create. My intimate, domesticated painted environments offer the viewer the possibility to experience the spaces I find beautiful and to add to the conversation of where beauty resides today in contemporary art.
Show less
Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3172945
Subject Headings: Symbolism in literature, Painting, Modern, Themes, motives, Self-perception in art, Mimesis in art, Postmodernism
Format: Document (PDF)

Title: Scenographia: investigations of line, light and the theatricality in the micro-scale.
Creator: Matsi, Sofâia., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Informed by my training in the physical sciences, my thesis show presents results of research on the elements of line and dramatic staging. My process is documented through the experimental grounds of my sketchbooks. Originating from observational drawings of organic forms, my fascination with line quality and my desire for theatrical settings propelled these drawings to acquire a three dimensional presence. Through constructed book formats, staged micro-scenes, and photographs, I test my...
Show moreInformed by my training in the physical sciences, my thesis show presents results of research on the elements of line and dramatic staging. My process is documented through the experimental grounds of my sketchbooks. Originating from observational drawings of organic forms, my fascination with line quality and my desire for theatrical settings propelled these drawings to acquire a three dimensional presence. Through constructed book formats, staged micro-scenes, and photographs, I test my extracted, abstract forms in varying intimate environments. I control these worlds through scale, space and lighting, and I observe and record how they behave. I gather data through a methodical process that is infused with the empirical instincts I developed as a scientist. I express the resulting distilled organic forms in the most theatrical way I can invent.
Show less
Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3171721
Subject Headings: Art and technology, Popular culture, Drawing, Technique, Installations (Art)
Format: Document (PDF)

Title: Rifles, residents, and runaways: the conflict over slavery between civil and military authority in Maryland, 1861-1864.
Creator: Dunne, Brian Thomas., Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description: In the fall of 1864, Maryland became the first Border State to abolish slavery with the adoption of a new state constitution. In order to best understand the evolution of this event, the purpose of this study was to examine the civil-military relations of Maryland during the Civil War and how these relations affected the institution of slavery in the state. Therefore, the main argument is that the conflict between military and civil authorities in Maryland during the war revealed two points:...
Show moreIn the fall of 1864, Maryland became the first Border State to abolish slavery with the adoption of a new state constitution. In order to best understand the evolution of this event, the purpose of this study was to examine the civil-military relations of Maryland during the Civil War and how these relations affected the institution of slavery in the state. Therefore, the main argument is that the conflict between military and civil authorities in Maryland during the war revealed two points: first, that the federal government maintained a faithful vigilance over the state during the war and second, that the federal government exploited a fading slavery system to not only eliminate any possibility of Maryland entering the Confederacy, but also destroy any degree of Border State neutrality.
Show less
Date Issued: 2011
PURL: http://purl.flvc.org/FAU/3170957
Subject Headings: Slavery, History, Slaves, Emancipation, History, Sources, History, Politics and government
Format: Document (PDF)

Title: Among Figures in Multiple Worlds.
Creator: Cervetti, Talia, Broderick, Amy S., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: My thesis exhibition will manifest a visual language I developed to express things I sense but cannot explain. I will create a sacred space, people by paper silhouettes, to communicate what it feels like to be alive while acknowledging different realities. Each silhouette figure I make has its own character and expresses specific things, including care, confusion, excitement, play, and wonder. These are all facets of my own experiences in life. The white silhouettes are anchored to a physical...
Show moreMy thesis exhibition will manifest a visual language I developed to express things I sense but cannot explain. I will create a sacred space, people by paper silhouettes, to communicate what it feels like to be alive while acknowledging different realities. Each silhouette figure I make has its own character and expresses specific things, including care, confusion, excitement, play, and wonder. These are all facets of my own experiences in life. The white silhouettes are anchored to a physical reality. The chromatic silhouettes are complicated by color. They are more difficult to make out – they are more vulnerable and ambiguous. I am peopling the installation with many silhouettes. This expresses the range of experiences I have had with people, as well as the many possibilities that exist for human interaction. I will create a translucent cylindrical environment that is specifically lit, with two layers of fabric. I will embed over two thousand hand-cut paper figures within this environment. One plane will represent the physical world that we all access and experience via our five senses. The other plane will express another realm – one that references spiritual or otherwise non-physical realities. In addition, I will exhibit a series of framed collages and a compilation of video clips that have informed the development and process of my work.
Show less
Date Issued: 2016
PURL: http://purl.flvc.org/fau/fd/FA00004576, http://purl.flvc.org/fau/fd/FA00004576
Subject Headings: Symbolism in literature., Creation (Literary, artistic, etc.), Conduct of life., Semiotics--Philosophy.
Format: Document (PDF)

Title: Allusions.
Creator: Nuruddin, Khaulah Naima, Prusa, Carol, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Allusions explores the volatile nature of intimate relationships by revisiting and recovering my memory of dramatic experiences in my own intimate relationships then translating them into painted psychological scenes. These scenes are activated by symbolically charged objects and interrupted by openings or portals serving as points of entry or exit. The people involved are referred to by pieces of carefully chosen furniture situated in a space that has shifting perspectives and illogical...
Show moreAllusions explores the volatile nature of intimate relationships by revisiting and recovering my memory of dramatic experiences in my own intimate relationships then translating them into painted psychological scenes. These scenes are activated by symbolically charged objects and interrupted by openings or portals serving as points of entry or exit. The people involved are referred to by pieces of carefully chosen furniture situated in a space that has shifting perspectives and illogical planes, referencing the complexity of memory and the subjectivity of experience. Discordant color, texture, and layered information are used to heighten the drama of the moment. These painted panels and ceramic structures are a manifestation of my mental processing of interpersonal exchanges and remembered experiences through the development of a unique visual vocabulary in paint.
Show less
Date Issued: 2016
PURL: http://purl.flvc.org/fau/fd/FA00004617
Subject Headings: Affect (Psychology), Visual perception., Optical art., Pictures--Psychological aspects., Color--Psychological aspects., Symbolism in art., Interpersonal relationships., Signs and symbols.
Format: Document (PDF)

Title: Ardent Dwellings: Contemplating Identity through Drawing and Arrangement.
Creator: Smatrakaleva, Kristina, Broderick, Amy S., Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Ardent Dwellings is a work about longing, self-exploration, and construction of identity through the arrangement of meticulously drawn and cut paper elements. Mainly consisting of drawn dried flower forms and expressive female hands, these elements come together in deliberate arrangements of spaces and relations. The moments of sensuality resulting from these exploratory touches signify moments created through traversing bodies and identities. To achieve this exploration visually, I created a...
Show moreArdent Dwellings is a work about longing, self-exploration, and construction of identity through the arrangement of meticulously drawn and cut paper elements. Mainly consisting of drawn dried flower forms and expressive female hands, these elements come together in deliberate arrangements of spaces and relations. The moments of sensuality resulting from these exploratory touches signify moments created through traversing bodies and identities. To achieve this exploration visually, I created a collection of eight drawing collages and a large paper installation with mixed media components. The elements in this work are carefully placed in relation to one another with the intent of constructing an abstract narrative exploring the who, how, and the why of the self—specifically the queer self and the search for belonging that accompanies the discovery of this identity.
Show less
Date Issued: 2018
PURL: http://purl.flvc.org/fau/fd/FA00013038
Subject Headings: Installations (Art), Cut-paper work, Drawing, Collage
Format: Document (PDF)

Title: Backtalk: Visual Language and the Representation of Black Women.
Creator: Charles, Cathy, Cunningham, Stephanie, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: For years, black women have endured the mainstream stereotypes of the Mammy, the Jezebel, and the Sapphire. Backtalk is a conversation about black women using their own language translated into a graphic visual language. It examines ways in which black women are active agents in the social scripting of their own identities. Their complexity is visualized using a formal semiotic system based on their individual descriptions. This new visual language allows black women to deconstruct the...
Show moreFor years, black women have endured the mainstream stereotypes of the Mammy, the Jezebel, and the Sapphire. Backtalk is a conversation about black women using their own language translated into a graphic visual language. It examines ways in which black women are active agents in the social scripting of their own identities. Their complexity is visualized using a formal semiotic system based on their individual descriptions. This new visual language allows black women to deconstruct the limiting categorizations mainstream culture allows them, freeing participants from category-based expectations.
Show less
Date Issued: 2018
PURL: http://purl.flvc.org/fau/fd/FA00013002
Subject Headings: Women, Black, Backtalk
Format: Document (PDF)

Title: Average (arithmetic mean) of women’s bodies.
Creator: Behar, Linda, Valdes, Juana, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: Between 1939 and 1940 the United States Government conducted a study of the measurements of women’s bodies to establish a standardized system of garment and pattern sizes. The central theme of my research is to analyze the female figure in the context of a technology-driven global contemporary society. My thesis exhibition includes a body of work that echoes the pressures that Western Society employs by standardizing women’s appearances. The focus of the work is to confront the viewer with a...
Show moreBetween 1939 and 1940 the United States Government conducted a study of the measurements of women’s bodies to establish a standardized system of garment and pattern sizes. The central theme of my research is to analyze the female figure in the context of a technology-driven global contemporary society. My thesis exhibition includes a body of work that echoes the pressures that Western Society employs by standardizing women’s appearances. The focus of the work is to confront the viewer with a visual examination, which illustrates the preconceived notion that Western Society portrays the female body as a commodity and exports those views to different cultures and societies. This calls to question: “who makes those standards endorsed by society and why women follow them?”. From the standardized measurements conducted by the United States Government, I generated a 2-D computer model of an outline of the generic female figure. Based on the 2-D representation, I constructed a series of ten 27”x36” inkjet prints and a 3-Dimensional prototype of the figurative form. The project consist on the manufacture of 14,698 molds base on the 3- Dimensional prototype -- 10% reduction of the size of the average female.
Show less
Date Issued: 2014
PURL: http://purl.flvc.org/fau/fd/FA00004079
Subject Headings: Advertising -- Psychological aspects, Body image in women, Feminine beauty (Aesthetics), Feminist theory, Human body -- Social aspects, Self esteem in women
Format: Document (PDF)

Title: A Hawkish Dove? Robert S. McNamara in the Cuban Missile Crisis and the Vietnam War, 1962-1968.
Creator: Giraldo, Maria Camila, Shannon, Kelly, Florida Atlantic University, Department of History, Dorothy F. Schmidt College of Arts and Letters
Abstract/Description: Robert S. McNamara served as U.S. Secretary of Defense (SOD) for Presidents John Kennedy and Lyndon Johnson. McNamara participated in the Cuban Missile Crisis negotiations in 1961 and became a key formulator of Vietnam policy. This thesis challenges scholarship that characterizes McNamara as a fierce hawk who relentlessly executed military escalation in Vietnam. By drawing parallels between McNamara’s role in the Cuban Missile Crisis and the Vietnam War, and by exploring how McNamara’s...
Show moreRobert S. McNamara served as U.S. Secretary of Defense (SOD) for Presidents John Kennedy and Lyndon Johnson. McNamara participated in the Cuban Missile Crisis negotiations in 1961 and became a key formulator of Vietnam policy. This thesis challenges scholarship that characterizes McNamara as a fierce hawk who relentlessly executed military escalation in Vietnam. By drawing parallels between McNamara’s role in the Cuban Missile Crisis and the Vietnam War, and by exploring how McNamara’s concept of loyalty to the presidency influenced his decisions, this thesis argues that the SOD was willing to escalate the situation militarily as a form of political communication with the adversary. To McNamara, military pressure was a means to create avenues for diplomacy. McNamara became increasingly uncomfortable – and ultimately resigned in 1968 - when the Johnson administration pursued military escalation without an organized campaign towards negotiations. He was therefore not as hawkish as other scholars have claimed.
Show less
Date Issued: 2020
PURL: http://purl.flvc.org/fau/fd/FA00013551
Subject Headings: McNamara, Robert S, 1916-2009, Cuban Missile Crisis, 1962, Vietnam War, 1961-1975
Format: Document (PDF)

Title: Caudill Under El Caudillo: Southern Baptists, Cuba, and the Origins of Conservatism, 1959-1979.
Creator: Babbitt, Colton, Shannon, Kelly, Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters, Department of History
Abstract/Description: In 1965, the Cuban government arrested two Southern Baptist missionaries and several Cuban Baptists and charged them with multiple crimes, including espionage. Almost immediately, a backlash to the arrests swept across Baptists in the United States. During the four years between the missionaries’ imprisonment and their release, W.A. Criswell, conservative pastor of the massive First Baptist Church of Dallas, incorporated the missionaries’ testimonies into his own agenda. This thesis examines...
Show moreIn 1965, the Cuban government arrested two Southern Baptist missionaries and several Cuban Baptists and charged them with multiple crimes, including espionage. Almost immediately, a backlash to the arrests swept across Baptists in the United States. During the four years between the missionaries’ imprisonment and their release, W.A. Criswell, conservative pastor of the massive First Baptist Church of Dallas, incorporated the missionaries’ testimonies into his own agenda. This thesis examines Herbert Caudill’s experiences as a part of rising conservatism in the Southern Baptist Convention in the late nineteen sixties and explains the role of anti-communism and the Cold War as a subject of Baptist debate. It also places the U.S. South in a global context by examining the transnational nature of the Cuban Baptist mission and in Herbert Caudill’s identity.
Show less
Date Issued: 2019
PURL: http://purl.flvc.org/fau/fd/FA00013181
Subject Headings: Southern Baptist Convention, Caudill, Herbert, 1903-, Cuba, Criswell, W A (Wallie A ), 1909-2002
Format: Document (PDF)

Title: Deconstructing my universal marginalization.
Creator: Nazim, Fathima Asma., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: This thesis is a profoundly personal one. It examines the role of context in creation (authorship) and perception (reading an image) of representation. Born in Sri Lanka during the emergence of one the world's longest lasting civil wars, I never recognized my love and concern for the Island and its ancient history and culture until I traveled to America to pursue a higher education. Ever since, I have constantly found myself in situations where I am regarded as the 'other' or the 'outsider' ;...
Show moreThis thesis is a profoundly personal one. It examines the role of context in creation (authorship) and perception (reading an image) of representation. Born in Sri Lanka during the emergence of one the world's longest lasting civil wars, I never recognized my love and concern for the Island and its ancient history and culture until I traveled to America to pursue a higher education. Ever since, I have constantly found myself in situations where I am regarded as the 'other' or the 'outsider' ; I seem to not fit in completely in this country as well as in my own. In the US I am considered 'eastern' or 'exotic', whereas in my own country, I am considered 'westernized', no longer looked at as a typical Sri Lankan woman. This thesis examines and explores marginalization, orientalism, deconstruction theories, semiotic studies, dialect as well as attire, in the specific context of Graphic Design.
Show less
Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2138108
Subject Headings: Marginality, Social, Marginality, Social, Identity (Psychology), Pluralism (Social sciences), International relations and culture, Culture and globalization, Visual communication in art, Graphic design (Typography)
Format: Document (PDF)

Title: Emotion and the designed object.
Creator: Schade, Brittany Diane., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: This thesis explores the expression of emotion through designed objects. Objects act as vehicles of memory in the same way language is the visible form of thought. In graphic design, the sensory qualities of an object provide a material surface on which information is communicated. The goal is to expose the autonomy of materials and form available to designers in the physical world while expressing emotional meaning beyond original form. By recasting the temporary fragments and observations...
Show moreThis thesis explores the expression of emotion through designed objects. Objects act as vehicles of memory in the same way language is the visible form of thought. In graphic design, the sensory qualities of an object provide a material surface on which information is communicated. The goal is to expose the autonomy of materials and form available to designers in the physical world while expressing emotional meaning beyond original form. By recasting the temporary fragments and observations of life into designed objects imbued with personal and cultural importance, the audience gains insight into others' personal and emotional experiences. Through our connections with the physical world, I investigate how form and the material qualities of designed objects can elicit an emotional response from the audience.
Show less
Date Issued: 2013
PURL: http://purl.flvc.org/fcla/dt/3361060
Subject Headings: Emotions and cognition, Design, Psychological aspects, Industrial design, Psychological aspects, Human engineering
Format: Document (PDF)

Title: Evoking meaning: from tangible objects to digital experience.
Creator: Moreno, Lenny C. Salas., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: The intent of this thesis is to focus on evocative objects to explore what is lost in the transition from tangible to digital and how personal meaning is altered by digitalization. "We are witnessing the sudden dematerialization of our arts and entertainment, their transfer from unique artifacts to universal on-demand screen availability."1 As we replace objects like photographs, books and music CDs with intangible digital versions, social and physical experiences get reconfigured. With more...
Show moreThe intent of this thesis is to focus on evocative objects to explore what is lost in the transition from tangible to digital and how personal meaning is altered by digitalization. "We are witnessing the sudden dematerialization of our arts and entertainment, their transfer from unique artifacts to universal on-demand screen availability."1 As we replace objects like photographs, books and music CDs with intangible digital versions, social and physical experiences get reconfigured. With more time being spent on-line, there is a growing emphasis on exchanging digital content and the network of self-projections shared virtually. As we continue towards an increasing digital environment, understanding emerging socio-cultural practices can provide insight into new directions for graphic design.
Show less
Date Issued: 2013
PURL: http://purl.flvc.org/fcla/dt/3360947
Subject Headings: Digital art, Cultural property, Digitization, Graphic arts, Computer-aided design, Meaning (Psychology), Postmodernism, Popular culture, Effect of technological innovations on
Format: Document (PDF)

Title: Consumed: simple choices, complex problems.
Creator: Shimpeno, Peter David., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: The intention of this exhibition is to educate the viewer about the hidden impacts that result from simple choices of consumption. This is a critique of the materials economy and the responsibilities of the designers, consumers and industries that contributed to its success. The critique is expressed through four dominant and unsustainable consumer products: water bottles, plastic shopping bags, cigarette filters and farm chemicals, as each has its own specific story of consumption. The form...
Show moreThe intention of this exhibition is to educate the viewer about the hidden impacts that result from simple choices of consumption. This is a critique of the materials economy and the responsibilities of the designers, consumers and industries that contributed to its success. The critique is expressed through four dominant and unsustainable consumer products: water bottles, plastic shopping bags, cigarette filters and farm chemicals, as each has its own specific story of consumption. The form is derived from manufacturing history, statistical data, and profiles of consumer behaviors. Graphic design is utilized in both formal and non-formal methods with the goal of communicating specific messages to the viewer as they progress through the exhibition space.
Show less
Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2979381
Subject Headings: Consumption (Economics), Moral and ethical aspects, Consumption (Economics), Social aspects, Environmental ethics
Format: Document (PDF)

Title: Components of self.
Creator: Major, Christina Maya., Dorothy F. Schmidt College of Arts and Letters, Department of Visual Arts and Art History
Abstract/Description: My thesis exhibition is comprised of approximately eleven large-scale portrait paintings done primarily in oil paint on canvas. This body of work investigates the ways the identity of both artist and subject can coexist in a portrait and evolved from my desire to combine portrait painting with writing as well as to develop methods of using paint to express a merging of myself with the individual depicted in the portrait. My creative research has focused on the traditional form of the portrait...
Show moreMy thesis exhibition is comprised of approximately eleven large-scale portrait paintings done primarily in oil paint on canvas. This body of work investigates the ways the identity of both artist and subject can coexist in a portrait and evolved from my desire to combine portrait painting with writing as well as to develop methods of using paint to express a merging of myself with the individual depicted in the portrait. My creative research has focused on the traditional form of the portrait as a powerful form of representing an individual and how meaning can be expanded through scale, brushstroke, color, texture, composition and the many variables that portraiture deals with. I expanded on the traditional portrait painting by cataloguing my memories and thoughts along with the thoughts of the subject by painting under, into and over the subject in my own handwriting. My "hand" is visible both in the brushstroke and in the cursive writing, preserving my identity in a "readable" way both literally and through graphology, or handwriting analysis.
Show less
Date Issued: 2010
PURL: http://purl.flvc.org/FAU/2100583
Subject Headings: Self (Philosophy) in art, Subjectivity in art, Visual communication in art, Visual perception in art
Format: Document (PDF)

FAU Theses and Dissertations (121)	+ -
FAU Department of History Oral Histories (55)	+ -
FAU College Collections (17)	+ -

Oral histories --Florida (52)	+ -
Oral history (43)	+ -
Florida Atlantic University -- History (26)	+ -
World War, 1939-1945 (18)	+ -
History (12)	+ -

Art (8)	+ -
Installations (Art) (7)	+ -
Politics and government (7)	+ -
Graphic arts (6)	+ -
History, United States (5)	+ -
Depressions --1929 --United States (4)	+ -
Influence (4)	+ -
Psychological aspects (4)	+ -
Social aspects (4)	+ -
Symbolism in literature (4)	+ -
United States Army (4)	+ -
World War II (4)	+ -
Conduct of life (3)	+ -
Delray Beach (Fla.) (3)	+ -
Design (3)	+ -
Drawing (3)	+ -
Foreign relations (3)	+ -
Great Depression (3)	+ -
Oral histories --Florida. (3)	+ -
Political and social views (3)	+ -
Popular culture (3)	+ -
Postmodernism (3)	+ -
Social conditions (3)	+ -
Symbolism in art. (3)	+ -
Aesthetics -- Psychological aspects (2)	+ -

United States (9)	+ -
Great Britain (4)	+ -
Florida (3)	+ -
Southern States (2)	+ -
Arab countries (1)	+ -

Florida--Boca Raton (1)	+ -
Germany (1)	+ -
Indian River (Fla. : Lagoon) (1)	+ -
Indian River (Lagoon) (1)	+ -
Israel (1)	+ -
Manchester (England) (1)	+ -
Maryland (1)	+ -
Mexico (1)	+ -
Middle East (1)	+ -
Morocco (1)	+ -
Mâerida (Mexico : State) (1)	+ -
New Orleans (1)	+ -
New Orleans (La.) (1)	+ -
Palm Beach County (Fla.) (1)	+ -
Russia (1)	+ -
Soviet Union (1)	+ -
Sri Lanka (1)	+ -
Yucatâan (Mexico : State) (1)	+ -
Yucatâan Peninsula (1)	+ -

Search In

Pages

Pages

Sort Results By:

Narrow results by:

Collection

Topical Subject

Geographic Subject

Temporal Subject

Genre Subject

Title as Subject

Genre

Type of Resource

Language

Creator

Format

Owner

Review (1)	+ -
article (1)	+ -

text (140)	+ -
mixed material (53)	+ -