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- Title
- Sinfonâia en rojo: el prisma de Elisabeth Mulder.
- Creator
- Del Olmo Lâopez, Itxaso., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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This thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic...
Show moreThis thesis aims to rescue the name of Elisabeth Mulder, a Spanish female poet who started to publish her first poetry books around the rise of the Generation of 1927 in Spain. The importance of this work hinges on the recognition of Mulder as a female poet whose work has been marginalized from the literary canon, like that of many other women of her era. This thesis focuses on Mulde''s third poetry collection, Sinfonâia en rojo, which was published in 1929 and stands out for its symbolic richness and its romantic and modernist features. Part of this research deals with the symbolism of the color red and the meanings that red acquires within the context of the poems. The main leitmotivs of Sinfonâia en rojo are the images of fire and blood, which are used to make reference to both the emotional and the physical world of the poetic voice. The research also focuses on the connections between Mulder's work and that of her contemporaries, and it suggests that she was in contact with the literary world of her era.
Show less - Date Issued
- 2013
- PURL
- http://purl.flvc.org/fcla/dt/3362329
- Subject Headings
- Influence, Criticism and interpretation, Spanish poetry, Women authors, Criticism and interpretation, Spanish poetry, Criticism and interpretation, Women and literature, Generacâion 27 (Group of poets)
- Format
- Document (PDF)
- Title
- Studied girlhoods: consciousness, context, and negotiation of identity in the memoirs of Dorothy Allison, Mary Karr, and Barbara Robinette Moss.
- Creator
- Dilgen, Regina., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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Dorothy Allison's Two or Three Things I Know for Sure, Mary Karr's The Liars' Club, and Barbara Robinette Moss's Change Me into Zeus's Daughter are memoirs published in the 1990s of girlhoods in the late 1950s and early 1960s. This dissertation uses and expands upon the approaches of the multi-disciplinary Girls' Studies in analyzing how these memoirists theorize their own girlhoods. Each memoirist represents her experience in a culture that attempts to marginalize, silence, and define her....
Show moreDorothy Allison's Two or Three Things I Know for Sure, Mary Karr's The Liars' Club, and Barbara Robinette Moss's Change Me into Zeus's Daughter are memoirs published in the 1990s of girlhoods in the late 1950s and early 1960s. This dissertation uses and expands upon the approaches of the multi-disciplinary Girls' Studies in analyzing how these memoirists theorize their own girlhoods. Each memoirist represents her experience in a culture that attempts to marginalize, silence, and define her. An application of the foundational work on girlhood in developmental psychology provides for an analysis of each memoirist's depiction of girlhood as a time of authentic insight and developing agency. Referencing feminist literary criticism allows for an interpretation of how the girls at the center of these works develop agency through growing awareness of the circumstances of their marginalization. And a semiotic literary interpretation adds to the analysis of these works as creative autobiogra phical writing in affording a close reading of how the memoirists portray younger selves learning to read the signs and texts of a culture and becoming aware of their status as girls in working-class families. Each memoirist uses a dual vocal presentation as both the adult memoirist and a younger self give shape to the narrative. Each memoirist represents a distinct southern space intersecting with specifics of the era to form a cultural moment. Social Construction Theory makes available a basis for considering how the memoirists narrate their increasing understanding of race and gender within these specific contexts as well as their resistive voicing of these insights., Through a Cultural Studies focus this dissertation examines how each memoirist represents a younger self's negotiations with cultural products of the era that work to construct girlhood. Adding to this unpacking of how the memoirists study their own girlhoods, the tools of Postco for an analysis of how the memoirists theorize their own girlhoods in ways that parallel these approaches. This dissertation adds to the evolving field of Girls' Studies in using contemporary theoretical frameworks to interpret how girlhood is constructed, represented, and negotiated with in these memoirs.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3332175
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Criticism and interpretation, Self in literature, Popular culture, Working class women
- Format
- Document (PDF)
- Title
- El final del tango Perâonista: la desintegraciâon del cuerpo social en No Habrâa Mâas Penas ni Olvido.
- Creator
- Fuentes, Delia Pamela., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
-
This thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist...
Show moreThis thesis analyzes the complexities of Argentinean politics during Juan Domingo Perâon's last presidency, (1973-1974), as presented in Osvaldo Soriano's novel No habrâa mâas penas ni olvido. Soriano's work, set in the fictitious town of Colonia Vela, in the state of Buenos Aires, illustrates in a small scale the different social and political components that make up the national body. Historical and fictitious elements dramatize the conflict among the left and right wings of the Peronist Party. These two factions divide the villagers, who hold diverse images of Perâon and what the party entails, while putting their political beliefs and physical well-being at stake. Quickly the two splinter parties trigger an open arm conflict while fighting under the same slogan: "Perâon o muerte". Supported by diverse theoretical perspectives, this thesis reveals that Soriano's novel sheds light into one of the most confusing periods of Argentinean history while rescuing the sacrifices of the people.
Show less - Date Issued
- 2011
- PURL
- http://purl.flvc.org/FAU/3175015
- Subject Headings
- Criticism and interpretation, Spanish American literature, Criticism and interpretation, History, Literature and the war, Politics and government, Social life and customs
- Format
- Document (PDF)
- Title
- A novel on Albanian emigration to Italy: "They Were Seeking Happiness" a translation of Ata Kerkonin Lumturine by Viktor Canosinaj.
- Creator
- Lubonja, Edna, Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3337188
- Subject Headings
- Criticism and interpretation, History, Politics and government, Emigration and immigration
- Format
- Document (PDF)
- Title
- Un puente hecho de tierra: un estudio comparativo de la visiâon indigenista del problema de la tierra en Balâun Canâan, por Rosario Castellanos, y "El problema del indio," por Josâe Carlos Mariâategui.
- Creator
- Modic, Blaire., Dorothy F. Schmidt College of Arts and Letters, Department of Languages, Linguistics and Comparative Literature
- Abstract/Description
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This thesis uncovers a deep and recurring link between two indigenista texts of the 20th Century: Balâun Canâan, by Rosario Castellanos, and "El problema del indio," by Jose Carlos Mariâategui. Mariategui's text, an essay, takes a deductive approach to prove that the "Indian's problem" in Peru is related to the concentration of land in the hands of his oppressors. Using Marxist theory, Mariâategui shows that only through more equitable distribution of land can the indigenous Peruvian's...
Show moreThis thesis uncovers a deep and recurring link between two indigenista texts of the 20th Century: Balâun Canâan, by Rosario Castellanos, and "El problema del indio," by Jose Carlos Mariâategui. Mariategui's text, an essay, takes a deductive approach to prove that the "Indian's problem" in Peru is related to the concentration of land in the hands of his oppressors. Using Marxist theory, Mariâategui shows that only through more equitable distribution of land can the indigenous Peruvian's fortunes be improved. Castellanos chooses the years of the Cardenas presidency (1934-1940) for her novel, a work that deals with the legacy of the Mexican Revolution. Set in Chiapas, Mexico, autobiographical and fictitious elements and characters dramatize a conflict over indigenous rights to land and education on a criollo family's enormous estate. Supported by intellectual criticism from a number of fields, this thesis connects episodes from Castellanos's novel with the core premises of Mariâategui's essay.
Show less - Date Issued
- 2010
- PURL
- http://purl.flvc.org/FAU/3170604
- Subject Headings
- Criticism and interpretation, Criticism and interpretation, Indians of Mexico, Government relations, Land tenure, Social aspects, Indians of South America, History, Agriculture, Economic aspects, History, Civilization
- Format
- Document (PDF)