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Angels and Monsters: Exploring the Restraining Binary in Late Victorian Fiction

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Date Issued:
2021
Summary:
This thesis explores the limited economic, professional, and political opportunities for women in the Victorian era and how these roles are perpetuated through literature. Often, the lack of opportunities confined women to two choices: the angel or the monster. While there has been significant research on this binary, Virginia Woolf’s cry to “kill the angel of the house” has not been rectified. To discuss the binary, I have analyzed Mary Elizabeth Braddon’s Lady Audley’s Secret and Charlotte Perkins Gilman “The Yellow Wallpaper” to discuss how these female writers reflect their authorial anxieties through Gothic tropes and a close identification with their heroines. Additionally, I have analyzed Thomas Hardy’s Tess of D’Urbervilles and Stephen Crane’s Maggie: A Girl of the Streets to discuss how these male authors take a naturalistic approach to critique the fallen woman trope.
Title: Angels and Monsters: Exploring the Restraining Binary in Late Victorian Fiction.
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Name(s): Boyar, Michelle, author
Buckton, Oliver, Thesis advisor
Florida Atlantic University, Degree grantor
Department of English
Dorothy F. Schmidt College of Arts and Letters
Type of Resource: text
Genre: Electronic Thesis Or Dissertation
Date Created: 2021
Date Issued: 2021
Publisher: Florida Atlantic University
Place of Publication: Boca Raton, Fla.
Physical Form: application/pdf
Extent: 70 p.
Language(s): English
Summary: This thesis explores the limited economic, professional, and political opportunities for women in the Victorian era and how these roles are perpetuated through literature. Often, the lack of opportunities confined women to two choices: the angel or the monster. While there has been significant research on this binary, Virginia Woolf’s cry to “kill the angel of the house” has not been rectified. To discuss the binary, I have analyzed Mary Elizabeth Braddon’s Lady Audley’s Secret and Charlotte Perkins Gilman “The Yellow Wallpaper” to discuss how these female writers reflect their authorial anxieties through Gothic tropes and a close identification with their heroines. Additionally, I have analyzed Thomas Hardy’s Tess of D’Urbervilles and Stephen Crane’s Maggie: A Girl of the Streets to discuss how these male authors take a naturalistic approach to critique the fallen woman trope.
Identifier: FA00013719 (IID)
Degree granted: Thesis (MA)--Florida Atlantic University, 2021.
Collection: FAU Electronic Theses and Dissertations Collection
Note(s): Includes bibliography.
Subject(s): Victorian literature
Feminism
Tropes
Held by: Florida Atlantic University Libraries
Sublocation: Digital Library
Persistent Link to This Record: http://purl.flvc.org/fau/fd/FA00013719
Use and Reproduction: Copyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Use and Reproduction: http://rightsstatements.org/vocab/InC/1.0/
Host Institution: FAU
Is Part of Series: Florida Atlantic University Digital Library Collections.