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Questions for Animals

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Date Issued:
2008
Abstract/Description:
Through the worlds of cause and effect, forms, and formlessness, echoing the structure of the shrine Borobudur, this work explores these convergences: Paul Oppenheimer's argument that the best origin of sonnet is sonitus, the music of the spheres perceived in this world as a deafening; the experience of Borobudur 's rectangular stone reliefs within a structure that looks angular but is circular; and a deaf woman's observation that vowel sounds conflate on faces under the duress of pleasure or pain. The attempt, as the sonnet moves through the volume, interrupted four times by poems of other types, is to experience what seems, like stone or path, a most syllogistic of forms, as mandala. Throughout, the relationship between sight and sound is explored, using homophones, syntax working with and against parts of speech and lineation, hearkening to words that keep as unresolved as possible the vowel sounds, as brogues do, and tonal languages.
Title: Questions for Animals.
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Name(s): Hamilton, Peggy
Mitchell, Susan, Thesis advisor
Florida Atlantic University, Degree grantor
Type of Resource: text
Genre: Electronic Thesis Or Dissertation
Date Created: 2008
Date Issued: 2008
Publisher: Florida Atlantic University
Place of Publication: Boca Raton, Fla.
Physical Form: application/pdf
Extent: 59 p.
Language(s): English
Abstract/Description: Through the worlds of cause and effect, forms, and formlessness, echoing the structure of the shrine Borobudur, this work explores these convergences: Paul Oppenheimer's argument that the best origin of sonnet is sonitus, the music of the spheres perceived in this world as a deafening; the experience of Borobudur 's rectangular stone reliefs within a structure that looks angular but is circular; and a deaf woman's observation that vowel sounds conflate on faces under the duress of pleasure or pain. The attempt, as the sonnet moves through the volume, interrupted four times by poems of other types, is to experience what seems, like stone or path, a most syllogistic of forms, as mandala. Throughout, the relationship between sight and sound is explored, using homophones, syntax working with and against parts of speech and lineation, hearkening to words that keep as unresolved as possible the vowel sounds, as brogues do, and tonal languages.
Identifier: FA00000924 (IID)
Degree granted: Thesis (M.F.A.)--Florida Atlantic University, 2008.
Collection: FAU Electronic Theses and Dissertations Collection
Note(s): Dorothy F. Schmidt College of Arts and Letters
Subject(s): Symbolism in literature
Sonnet--History and criticism
Poetry--Collections
Held by: Florida Atlantic University Libraries
Sublocation: Digital Library
Persistent Link to This Record: http://purl.flvc.org/fau/fd/FA00000924
Use and Reproduction: Copyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Use and Reproduction: http://rightsstatements.org/vocab/InC/1.0/
Host Institution: FAU
Is Part of Series: Florida Atlantic University Digital Library Collections.