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"How does one remember thirst?"
- Date Issued:
- 2011
- Summary:
- This thesis problematizes the notion of memory as a non-gendered mechanism by examining the construction of memory and subjectivity in Chris Marker's La jetâee and Sans soleil. Using the theoretical frameworks of Jacques Lacan, Bracha Ettinger, and Andrâe Bazin, the paper argues that La jetâee presents a model of phallic memory corresponding to a Lacan's understanding of desire and subjectivity, while Sans soleil offers a model of matrixial memory based on Ettinger's theorization of the gaze. Bazin's work is used to address aesthetic issues, as well as providing a method for exploring how the phallic and matrixial frameworks impact the formal construction of the films. Ultimately, La jetâees model of phallic memory is shown to sever past from present in a manner corresponding to Lacanian notions of desire, castration, and loss, whereas Sans soleil demonstrates the potential of matrixial memory to establish a liminal relationship between past and present.
Title: | "How does one remember thirst?": phallic and matrixial memory in Chris Marker's La Jetâee and Sans Soleil. |
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Name(s): |
Barr, Jeremy. Dorothy F. Schmidt College of Arts and Letters School of Communication and Multimedia Studies |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Issuance: | multipart monograph | |
Date Created: | 2011 | |
Date Issued: | 2011 | |
Publisher: | Florida Atlantic University | |
Place of Publication: | Boca Raton, Fla. | |
Physical Form: | electronic | |
Extent: | ix, 126 p. : ill. (some col.) | |
Language(s): | English | |
Summary: | This thesis problematizes the notion of memory as a non-gendered mechanism by examining the construction of memory and subjectivity in Chris Marker's La jetâee and Sans soleil. Using the theoretical frameworks of Jacques Lacan, Bracha Ettinger, and Andrâe Bazin, the paper argues that La jetâee presents a model of phallic memory corresponding to a Lacan's understanding of desire and subjectivity, while Sans soleil offers a model of matrixial memory based on Ettinger's theorization of the gaze. Bazin's work is used to address aesthetic issues, as well as providing a method for exploring how the phallic and matrixial frameworks impact the formal construction of the films. Ultimately, La jetâees model of phallic memory is shown to sever past from present in a manner corresponding to Lacanian notions of desire, castration, and loss, whereas Sans soleil demonstrates the potential of matrixial memory to establish a liminal relationship between past and present. | |
Identifier: | 726173357 (oclc), 3166838 (digitool), FADT3166838 (IID), fau:3616 (fedora) | |
Note(s): |
by Jeremy Barr. Thesis (M.A.)--Florida Atlantic University, 2011. Includes bibliography. Electronic reproduction. Boca Raton, Fla., 2011. Mode of access: World Wide Web. |
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Subject(s): |
Marker, Chris, 1921- Marker, Chris, 1921- Jetâee (Motion picture) Psychoanalysis and art Psychoanalysis and motion pictures |
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Held by: | FBoU FAUER | |
Persistent Link to This Record: | http://purl.flvc.org/FAU/3166838 | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU |