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Jazz discourse in Julio Cortazar's "Rayuela": Improvising a narrative
- Date Issued:
- 2000
- Summary:
- Julio Cortazar's preoccupation with the musicality of language celebrates the paradox of its intent to construct and convey meaning and its inability to be equated with actual human experience. His works expand traditional boundaries associated with the narrative form by encompassing characteristics typical of various forms of communication other than literary, which he engages for the purpose of seeking authenticity in all and every aspect of human existence. Rayuela, like a jazz musician's improvisation, is Cortazar's testimony; although not explicitly autobiographical, its fluidity and lack of constructed pretension allow for a direct bridge of communication between author, narrative, and reader akin to the experience of jazz performance. Like a musical improvisation, Rayuela juxtaposes the serious elements of structure and logical sequencing with a playful, intuitive imagination that succeeds in catapulting the reader into new worlds which, like an individual improvised solo, is never repeated in exactly the same way.
Title: | Jazz discourse in Julio Cortazar's "Rayuela": Improvising a narrative. |
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Name(s): |
Lewis-Scorza, Karen. Florida Atlantic University, Degree grantor Gosser Esquilin, Mary Ann, Thesis advisor |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Issuance: | monographic | |
Date Issued: | 2000 | |
Publisher: | Florida Atlantic University | |
Place of Publication: | Boca Raton, Fla. | |
Physical Form: | application/pdf | |
Extent: | 120 p. | |
Language(s): | English | |
Summary: | Julio Cortazar's preoccupation with the musicality of language celebrates the paradox of its intent to construct and convey meaning and its inability to be equated with actual human experience. His works expand traditional boundaries associated with the narrative form by encompassing characteristics typical of various forms of communication other than literary, which he engages for the purpose of seeking authenticity in all and every aspect of human existence. Rayuela, like a jazz musician's improvisation, is Cortazar's testimony; although not explicitly autobiographical, its fluidity and lack of constructed pretension allow for a direct bridge of communication between author, narrative, and reader akin to the experience of jazz performance. Like a musical improvisation, Rayuela juxtaposes the serious elements of structure and logical sequencing with a playful, intuitive imagination that succeeds in catapulting the reader into new worlds which, like an individual improvised solo, is never repeated in exactly the same way. | |
Identifier: | 9780599747340 (isbn), 15790 (digitool), FADT15790 (IID), fau:12542 (fedora) | |
Collection: | FAU Electronic Theses and Dissertations Collection | |
Note(s): |
Dorothy F. Schmidt College of Arts and Letters Thesis (M.A.)--Florida Atlantic University, 2000. |
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Subject(s): |
Cortázar, Julio--Rayuela Jazz in literature |
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Held by: | Florida Atlantic University Libraries | |
Persistent Link to This Record: | http://purl.flvc.org/fcla/dt/15790 | |
Sublocation: | Digital Library | |
Use and Reproduction: | Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU | |
Is Part of Series: | Florida Atlantic University Digital Library Collections. |