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Homoeroticism in D. H. Lawrence's "Women in Love" and "The Rainbow" and Ken Russell's film adaptations
- Date Issued:
- 1999
- Summary:
- D. H. Lawrence's companion novels, The Rainbow and Women in Love, both depict homosexual relationships. Lawrence's portrayal of alternative sexual lifestyles, while sometimes negative, still offers the possibility of bisexuality, an option the author himself explored in his personal life as a reaction against repressive Victorian attitudes. Ken Russell, on the other hand, in adapting these novels to film, offers a more traditional, polarized view of homo- and heterosexuality. Though his first adaptation is more open-minded, having been filmed in the liberated 1960s, his second film is more conservative, since it is a product of the homophobic 1980s. As is the case with Lawrence, Russell's personal life, especially his religion, holds a great deal of influence over his artistic work. Therefore, this analysis argues the close link between biography and artistry, especially when a controversial subject like homosexuality is involved.
Title: | Homoeroticism in D. H. Lawrence's "Women in Love" and "The Rainbow" and Ken Russell's film adaptations. |
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Name(s): |
Elmore, Darrel Richard. Florida Atlantic University, Degree grantor Buckton, Oliver, Thesis advisor |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Issuance: | monographic | |
Date Issued: | 1999 | |
Publisher: | Florida Atlantic University | |
Place of Publication: | Boca Raton, Fla. | |
Physical Form: | application/pdf | |
Extent: | 61 p. | |
Language(s): | English | |
Summary: | D. H. Lawrence's companion novels, The Rainbow and Women in Love, both depict homosexual relationships. Lawrence's portrayal of alternative sexual lifestyles, while sometimes negative, still offers the possibility of bisexuality, an option the author himself explored in his personal life as a reaction against repressive Victorian attitudes. Ken Russell, on the other hand, in adapting these novels to film, offers a more traditional, polarized view of homo- and heterosexuality. Though his first adaptation is more open-minded, having been filmed in the liberated 1960s, his second film is more conservative, since it is a product of the homophobic 1980s. As is the case with Lawrence, Russell's personal life, especially his religion, holds a great deal of influence over his artistic work. Therefore, this analysis argues the close link between biography and artistry, especially when a controversial subject like homosexuality is involved. | |
Identifier: | 9780599211735 (isbn), 15625 (digitool), FADT15625 (IID), fau:12382 (fedora) | |
Collection: | FAU Electronic Theses and Dissertations Collection | |
Note(s): |
Dorothy F. Schmidt College of Arts and Letters Thesis (M.A.)--Florida Atlantic University, 1999. |
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Subject(s): |
Lawrence, D.H.--(David Herbert),--1885-1930.--Rainbow. Lawrence, D.H.--(David Herbert),--1885-1930.--Women in love. Russell, Ken,--1927---Criticism and interpretation. Homosexuality in literature. |
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Held by: | Florida Atlantic University Libraries | |
Persistent Link to This Record: | http://purl.flvc.org/fcla/dt/15625 | |
Sublocation: | Digital Library | |
Use and Reproduction: | Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU | |
Is Part of Series: | Florida Atlantic University Digital Library Collections. |