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AFFIRMATION, VOWS AND RITUAL AS STRUCTURING DEVICES IN JOHN FORD'S PLAYS
- Date Issued:
- 1979
- Summary:
- The collapse of a viable world concept of order leaves John Ford's characters with a modern problem--how to behave without demonstrable and reliable principles upon which to base their actions. The individualists among them try to establish order by mere affirmation of opinion. Other personae cling to the sacred, conservative value of the vow or contract, and are either the agents or the victims of the gulf between their avowed principles and the pragmatic demands of a "corrupt" world. Many characters also attempt to find reassurance in the predictable patterns of ritual behavior, only to discover the inefficacy of such ritual to protect them from or console them for a personal loss of meaning in their world. Ford's characters become "existential" figures, even though the models they adopt are often relics of the past (vows, rituals) which they must simply affirm, by their performances, bereft of the metaphysical support they might once have had.
Title: | AFFIRMATION, VOWS AND RITUAL AS STRUCTURING DEVICES IN JOHN FORD'S PLAYS. |
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Name(s): |
GRIER, WILLIAM ROGER. Florida Atlantic University, Degree grantor Collins, Robert A., Thesis advisor |
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Type of Resource: | text | |
Genre: | Electronic Thesis Or Dissertation | |
Issuance: | monographic | |
Date Issued: | 1979 | |
Publisher: | Florida Atlantic University | |
Place of Publication: | Boca Raton, Fla. | |
Physical Form: | application/pdf | |
Extent: | 42 p. | |
Language(s): | English | |
Summary: | The collapse of a viable world concept of order leaves John Ford's characters with a modern problem--how to behave without demonstrable and reliable principles upon which to base their actions. The individualists among them try to establish order by mere affirmation of opinion. Other personae cling to the sacred, conservative value of the vow or contract, and are either the agents or the victims of the gulf between their avowed principles and the pragmatic demands of a "corrupt" world. Many characters also attempt to find reassurance in the predictable patterns of ritual behavior, only to discover the inefficacy of such ritual to protect them from or console them for a personal loss of meaning in their world. Ford's characters become "existential" figures, even though the models they adopt are often relics of the past (vows, rituals) which they must simply affirm, by their performances, bereft of the metaphysical support they might once have had. | |
Identifier: | 13980 (digitool), FADT13980 (IID), fau:10802 (fedora) | |
Collection: | FAU Electronic Theses and Dissertations Collection | |
Note(s): |
Dorothy F. Schmidt College of Arts and Letters Thesis (M.A.)--Florida Atlantic University, 1979. |
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Subject(s): | Ford, John,--1586-approximately 1640--Criticism and interpretation. | |
Held by: | Florida Atlantic University Libraries | |
Persistent Link to This Record: | http://purl.flvc.org/fcla/dt/13980 | |
Sublocation: | Digital Library | |
Use and Reproduction: | Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder. | |
Use and Reproduction: | http://rightsstatements.org/vocab/InC/1.0/ | |
Host Institution: | FAU | |
Is Part of Series: | Florida Atlantic University Digital Library Collections. |