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NOVEL IN THE THEATER: FABRE'S STAGING OF BALZAC'S "LA RABOUILLEUSE."

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Date Issued:
1979
Summary:
In 1903 Emile Fabre, consummate theater technician, presented his adaption of Balzac's La Rabouilleuse at the Odeon Theater in Paris. The novel appealed to Fabre's naturalist interest in the worlds of family and finance, and Fabre based the action on the intense conflict among three characters for the inheritance of a dim-witted old man. Fabre amplified Balzac's theme of of the debilitating effects of money on families, and on society at large. This vying for inheritance becomes not only a game played for high stakes, but also a life-and-death struggle among beasts of prey. many of the alterations that Fabre made in adapting the novel into a play were necessitated by the change of literary genre, as in eliminating characters or creating composite figures. Many of the additions were made for purely theatrical reasons, enabling Fabre to present his money theme while, at the same time, holding his audience's interest until the final curtain. Other changes stemmed from Fabre's almost exclusive attention to finance, and his desire to stress its moral and political implications.
Title: THE NOVEL IN THE THEATER: FABRE'S STAGING OF BALZAC'S "LA RABOUILLEUSE.".
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Name(s): AVERY, FRANCES ANN
Florida Atlantic University, Degree Grantor
Dorothy F. Schmidt College of Arts and Letters
Department of Languages, Linguistics and Comparative Literature
Type of Resource: text
Genre: Electronic Thesis Or Dissertation
Issuance: monographic
Date Issued: 1979
Publisher: Florida Atlantic University
Place of Publication: Boca Raton, Fla.
Physical Form: application/pdf
Extent: 92 p.
Language(s): English
Summary: In 1903 Emile Fabre, consummate theater technician, presented his adaption of Balzac's La Rabouilleuse at the Odeon Theater in Paris. The novel appealed to Fabre's naturalist interest in the worlds of family and finance, and Fabre based the action on the intense conflict among three characters for the inheritance of a dim-witted old man. Fabre amplified Balzac's theme of of the debilitating effects of money on families, and on society at large. This vying for inheritance becomes not only a game played for high stakes, but also a life-and-death struggle among beasts of prey. many of the alterations that Fabre made in adapting the novel into a play were necessitated by the change of literary genre, as in eliminating characters or creating composite figures. Many of the additions were made for purely theatrical reasons, enabling Fabre to present his money theme while, at the same time, holding his audience's interest until the final curtain. Other changes stemmed from Fabre's almost exclusive attention to finance, and his desire to stress its moral and political implications.
Identifier: 13972 (digitool), FADT13972 (IID), fau:10795 (fedora)
Collection: FAU Electronic Theses and Dissertations Collection
Note(s): Thesis (M.A.)--Florida Atlantic University, 1979.
Subject(s): Literature, Romance
Held by: Florida Atlantic University Libraries
Persistent Link to This Record: http://purl.flvc.org/fcla/dt/13972
Sublocation: Digital Library
Use and Reproduction: Copyright © is held by the author, with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder.
Use and Reproduction: http://rightsstatements.org/vocab/InC/1.0/
Host Institution: FAU
Is Part of Series: Florida Atlantic University Digital Library Collections.